Perlman, “The Traditional Javanese Performing Arts in the Twilight of the New Order: Two Letters from Solo,” Indonesia, vol. Skelchy, “Voice, Age, and Islamic Practice in the Life of the Indonesian Keroncong Vocalist Waldjinah,” Ethnomusicology, vol. Yampolsky, “Three Genres of Indonesian Popular Music: Genre, Hybridity, and Globalization, 1960-2012,” Asian Music, vol.
Clinton, “History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence,” Asian Music, vol. Adaptation and syncretism are thus two methods and ways of building products, both of which must co-exist. The results of this study indicate that campursari's performance is sufficient to prove that campursari's musical musicality in the context of Islamic rituals is productive syncretism. The benefit is to recognize the principles and rules of adaptive value and productive syncretism that occur behind music phenomena. The choice of this approach is because musical adaptation stems from the idea that the birth of musicality has the support of a socially developed network of meanings. The choice of the verstehen method is because this article does not merely highlight the problem of music, but also tries to understand the social actions of campursari musicians in serving the muslim community via campursari music. Verstehen are appropriate methods for recognizing forms of adaptation and syncretism. Hopes and needs give birth to musical syncretism, which gives birth to adaptation strategies. The entry of campursari music into the Islamic religious community is the embodiment of expectations and demands for environmental situations and conditions. In the era of the 1990s and its peak in the 2000s, this music entered and interacted with the Islamic community. Since its birth, this music serves as entertainment music.
Musicality network software#
I'll continue to play with it some more to see if it grows on me, but I can't imagine this becoming a part of my software collection in it's current incarnation.This article discusses campursari’s music, which has an increasingly broad role, from profane to sacrilegious Islamic areas. If those buttons aren't integrated with app, then they're kind of pointless.Īlso, there's no indication that your Pandora music is being scrobbled to Last.fm.
Musicality network update#
It shouldn't have to leave the app, particularly since it's a web browser itself, to update my profile, find a song or get HELP. Why is it that when I click on any action that doesn't involve playing music, it takes me OUT of musicality and into my default browser (which is Chrome at the moment). BUT, I do have the solution! :-) I hate suggesting copying the functionality of other program, but if they were to add the ability to record streams and stream wirelessly to my Airport Express (like *coughing* PandoraJam) I would pay $10 for this in a heartbeat! Maybe even $15! :-) I just don't see the value in paying double digits for this app. They have a launch special of $10, but I'm still hesitant at that price. Are these 3 conveniences worth $15? Unfortunately I'm gritting my teeth and saying no. Global keyboard shortcuts (and Apple Remote integration) to control the music outside the application window. You can close the window and the music continues to play (ok, this is nice).Ģ. There are 3 advantages of using Musicality over your standard browser.ġ. A few extra bells and whistles are thrown in to add "convenience" but somewhere deep down I feel like they're just there to disguise the fact that's it really just a mini web browser. You get practically the identical interface if you visit these sites in Firefox or Safari. In summary, it's feels like a stripped down web browser dedicated to "surfing"only Pandora and Last.fm. When I read the description, I really wanted to like it, and I still want to like it, but there's just not a lot to it. Ok, my initial judgement of this app is kind of conflicted.
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